BOSSY: An Ode To Women In Street Dance
You don't have to love me, you don't even have to like me, but you will respect me: new short film pays homage to the women of street dance.
April 4th, 2024 | Written by Sierra Madison
Still from BOSSY
Glo Romy makes her directional debut in the new short film ‘BOSSY’, which pays homage to the women of street dance, celebrating the vibrant culture with bold visuals and an unmatched vibe. Set to Bossy by Kelis, and shot by an all-women cast and crew, the film intends to reframe how we look at the implications of a “bossy woman” and spotlights the talent, resilience, and spirit of the female dancers who have kept the culture alive. BOSSY’s website states that so often “the term “bossy” is used to shame women in charge, however, this is a film that commands RESPECT.”
Street dance, is a form of increcible creativity and has been a significant cultural force in Toronto. Yet, the stories of women who've shaped its contours remain largely untold. These women, with their fierce dedication and undying passion, have navigated the complexities of this art form, crafting spaces where their voices and movements resonate with power. 'BOSSY' shines a light on these forgotten forces, capturing the essence of female empowerment within the kinetic world of street dance.
‘BOSSY' is more than just a film; it's a fun, narrative told through bold choreographed dance sequences backed by Kelis’s powerful lyrics which come together to tell a story of perseverance, unity, and the relentless pursuit of expression. The fact that it was created with an all-female cast and crew not only emphasizes the mesmerizing talent that spans the city but also reflects a collaborative spirit that mirrors the community's ethos. Amanda–May Wilson’s choreography uses body movement as a language to allow the women of dance street to share their stories, challenges, and triumphs.
Still from BOSSY
The cultural impact of 'BOSSY' stretches beyond the confines of dance, echoing the broader themes of representation and visibility. Drawing inspiration from the rich tapestry of Toronto's street dance history and the significant contributions of Black queer activism within the arts, as detailed in the work of scholars and documentaries like "Our Dance of Revolution" , 'BOSSY' amplifies the voices of those often marginalized. It aligns with the narratives of resilience and resistance, illustrating how dance can be both an act of rebellion and a celebration of identity.
In celebrating the achievements of women in street dance, 'BOSSY' challenges the status quo, offering a lens through which we can appreciate the diversity and dynamism of this community. It invites viewers to acknowledge the power of female dancers not just as performers but as vital architects of the street dance culture in Toronto. This film, therefore, is not just an ode to women in street dance; it's a call to action—a reminder of the importance of supporting and elevating the stories of women who, through their art, seek to transform the world one dance at a time.
Still from BOSSY
As 'BOSSY' continues to inspire audiences and dancers alike, it stands as a testament to the enduring spirit of Toronto's women street dancers. Their legacy, marked by the rhythms they've set free on the streets, continues to inspire a new generation of dancers to step into their light and claim their space on the dance floor. It’s a pivotal chapter in the ongoing narrative of women's empowerment through the universal language of dance. It encourages us all to look closer, listen harder, and appreciate the boundless strength and creativity of women who've shaped the vibrant landscape of Toronto's street dance scene.